Discurso directo e indirecto: comprensión y dominio de las sutilezas del lenguaje.

Language is a wonderful invention that allows us to share our ideas, tell stories, and transmit information. Among the many forms of expression that exist, direct speech and indirect speech play a fundamental role, especially in literature, everyday communication, and stories. But what really distinguishes these two forms? When and how are they used? And what subtleties can enrich their use? This article explores in depth these two forms of speech, their specificities, their rules, and their impact on communication.

What is direct speech?

Direct speech is the reporting of a person's words exactly as they were spoken . They are quoted, retaining their original wording, tone, or even any errors. It is a form of expression that gives a lively and immediate character to the story.

Main features:

1. Quotation marks or hyphens: Reported speech is usually enclosed in quotation marks (“…”) or introduced by a hyphen in the narration.
   • Example: Mary said: “I will come tomorrow.”
2. Word fidelity: The words are repeated as is, without interpretation or reformulation on the part of the narrator.
3. Direct intonation: Direct speech allows one to hear (or imagine) the speaker's voice, which enhances liveliness and authenticity.

In literature, direct speech is often used to energize the narrative. It gives voice to the characters, creates interaction with the reader, and sets a specific mood. For example:

• Where are you going? Jean asked.
• I'm going to the market, Claire replied.

Here, the dialogue gives an impression of proximity, as if we were witnessing the scene live.

Indirect speech: reporting with subtlety

Unlike direct speech, indirect speech involves reporting a person's words by rephrasing them . The narrator adapts the words to the context of his or her story, often by changing the tense of verbs or adjusting certain details to better fit into the overall discourse.

Main features:

1. Absence of quotation marks or hyphens: Indirect speech is integrated into the narration without any distinct graphic markings.
   • Example: Mary said she would come the next day.
2. Rewording: The original lyrics are adapted, sometimes shortened or paraphrased.
3. Changing Verb Tense: Tenses often change to fit the context. For example:
   • Direct speech: “I am tired.”
   • Indirect speech: He said he was tired.

Indirect speech is very common in narratives, as it allows information to be condensed and ideas to be conveyed without interrupting the narrative flow. It is also valuable in journalism, synthesis, or academic work, where the author must report facts or opinions in an objective and concise manner.

When and why choose one or the other?

Direct Speech: Capturing Immediacy and Emotion

Direct speech is ideal for situations where you want to capture:

• Raw Emotion : The words as spoken often convey the speaker's state of mind.
• Example: “I’ve had enough!” he shouted, furious.
• Dynamism : In dialogues or literary stories, it creates an immersive interaction.
• Fidelity : By reporting the exact words, we highlight the authenticity of the message.

However, excessive use of direct speech can weigh down a story, especially when it contains long or superfluous dialogue.

Indirect speech: to synthesize and structure

Indirect speech is particularly useful for:

• Condensed and clear : Rather than quoting a long speech, we can summarize it in a few words.
• Example: He explained the reasons for his absence without going into details.
• Simplicity in narration : In complex stories, it allows to integrate dialogues without breaking the rhythm.
• Neutrality : By rephrasing, we adopt a more objective tone or one adapted to the context.

The subtleties of switching from direct to indirect

The transition from direct to indirect speech involves several transformations, particularly in verb tenses , pronouns and adverbs . Here are the main rules:

1. Change of verb tenses

The tenses in indirect speech are often offset from those in direct speech to respect the temporal sequence:

• Present → Imperfect :
  Direct: “I am happy.”
  Indirect: He said he was happy.
• Future → Present conditional :
  Direct: “I will come tomorrow.”
  Indirect: She said she would come the next day.
• Past perfect → Pluperfect :
  Direct: “I finished my work.”
  Indirect: He said he had finished his work.

2. Changing pronouns

Pronouns are adjusted to match the narrator's point of view:

• Direct: “My father gave me this book.”
• Indirect: She explained that her father gave her this book.

3. Adaptation of adverbs of time and place

Some adverbs also change:

• Today → That day
• Tomorrow → The next day
• Here → There

The stylistic impact of direct and indirect speech

The use of direct or indirect speech is not simply a question of syntax. It is a stylistic choice that can transform the atmosphere of a text.

• Live action creates a vivid and expressive scene , ideal for novels, plays or films. It gives characters their own voice and can reveal elements of their personality.
• Indirect, on the other hand, offers a more controlled narration , allowing the narrator to convey his or her point of view or condense events.

Let's take this literary example:

• Direct speech:

“You have no right!” he yelled, his eyes blazing with anger.

• Indirect speech:

He protested strongly, saying that they had no right to do that.

The first example is rich in emotion, while the second is more factual and concise.

Hybrid forms: free indirect speech

Between direct and indirect speech, there is a third form, free indirect speech . This style allows reporting the thoughts or words of a character while maintaining narrative fluidity, often without quotation marks or introductory verbs.

• Example: She thought she should have left earlier. Why had she waited so long?

Free indirect speech is particularly valued in modern literature for its ability to blend the points of view of the narrator and the characters.

Conclusion

Direct speech and indirect speech are two essential tools for structuring our stories, conveying emotions or simply relaying information. Each has its advantages and constraints, and their use depends largely on the context and the intended objective.
By mastering them, you can enrich your stories, captivate your readers, and express your ideas with nuance and precision. So, what are you waiting for to experiment with these subtleties in your writing?